For readers of The Paris Wife and Z comes this vivid novel full of drama, passion, tragedy, and beauty that stunningly imagines the life of iconic fashion designer Coco Chanel—the ambitious, gifted laundrywoman’s daughter who revolutionized fashion, built an international empire, and become one of the most influential and controversial figures of the twentieth century.
Born into rural poverty, Gabrielle Chanel and her siblings are sent to orphanage after their mother’s death. The sisters nurture Gabrielle’s exceptional sewing skills, a talent that will propel the willful young woman into a life far removed from the drudgery of her childhood.
Transforming herself into Coco—a seamstress and sometime torch singer—the petite brunette burns with ambition, an incandescence that draws a wealthy gentleman who will become the love of her life. She immerses herself in his world of money and luxury, discovering a freedom that sparks her creativity. But it is only when her lover takes her to Paris that Coco discovers her destiny.
Rejecting the frilly, corseted silhouette of the past, her sleek, minimalist styles reflect the youthful ease and confidence of the 1920s modern woman. As Coco’s reputation spreads, her couturier business explodes, taking her into rarefied society circles and bohemian salons. But her fame and fortune cannot save her from heartbreak as the years pass. And when Paris falls to the Nazis, Coco is forced to make choices that will haunt her.
An enthralling novel of an extraordinary woman who created the life she desired, Mademoiselle Chanel explores the inner world of a woman of staggering ambition whose strength, passion and artistic vision would become her trademark.
Gabrielle Bonheur "Coco" Chanel (19 August 1883 – 10 January 1971) was a French fashion designer and business woman. The founder and namesake of the Chanel brand, she was credited in the post-World War I era with liberating women from the constraints of the "corseted silhouette" and popularizing a sporty, casual chic as the feminine standard of style. A prolific fashion creator, Chanel extended her influence beyond couture clothing, realizing her design aesthetic in jewellery, handbags, and fragrance. Her signature scent, Chanel No. 5, has become an iconic product. She is the only fashion designer listed on Time magazine's list of the 100 most influential people of the 20th century. Chanel herself designed her famed interlocked-CC monogram, meaning Coco Chanel, using it since the 1920s.Chanel's social connections encouraged a conservative personal outlook. Rumors arose about Chanel's activities during the German occupation of France during World War II, and she was criticized for being too close to the German occupiers: One of Chanel's liaisons was with a German diplomat, Baron (Freiherr) Hans Günther von Dincklage. After the war, Chanel was interrogated about her relationship with von Dincklage, but she was not charged as a collaborator. After several post-war years in Switzerland, she returned to Paris and revived her fashion house. In 2011, Hal Vaughan published a book about Chanel based on newly declassified documents, revealing that she had collaborated with German intelligence activities. One plan in late-1943 was for her to carry an SS peace overture to British Prime Minister Winston Churchill to end the war...
This was a great beach read... 45
Gabrielle “Coco” Chanel was the world’s first businesswoman. Rising from the bottom, Chanel used her innate ingenuity and work-ethic to build one of the most recognisable and successful businesses ever. To paraphrase Chanel, she created her life because she was unhappy with it. Despite all of this, however, jealous competitors and misogynists have attempted to slander her legacy. The time has finally come that Coco Chanel is done justice, and that has come with C.W. Gortner’s Mademoiselle Chanel. Gabrielle Chanel was born in Saumur, France into deep poverty to a deadbeat father and a physically ill mother. This loneliness only got worse after her mother died when Gabrielle turned 12 and when she was sent to Aubazine, a convent. Gabrielle turned her despair into application and effort when she learned the sewing at the convent and where the sisters helped turn her passion into a successful work venture. At the age of 18 Chanel was sent to live at the boarding school in Moulins. While in Moulins she both pursued sewing and stage performing, which is when she became “Coco”, based off of the popular song "Qui qu'a vu Coco". In 1906, after failing to find success as a stage singer in Vichy, she returned to Moulins dedicated to her sewing. Moulins was where Coco met the ex-military officer and aristocrat Etienne Balsan, and where she became his mistress. Coco replaced famous courtesan Emilienne d’Alencon, who ironically later became something of a business asset for Chanel, for Balsan, and there never really was any love shared between Chanel and Balsan. This time, however, brought Chanel to realize that her fate was to put her entire being into her work, despite all of the negatives Balsan said to her about it. This is the time when Chanel also learned the foreign but fine art of making powerful friends. In 1908 Chanel began an affair with Arthur “Boy” Capel, one of Balsan’s friends. Chanel found a new feeling, something that she had never felt before, with Capel: love. This relationship also proved to be one of business as well, which put Chanel’s talent together with Capel’s money to open her first boutique at 21 rue Cambon Paris, which really put Chanel’s effort and determination into tangible results. Boutiques in Deauville and Biarritz opened subsequently, which is the period when many influential people saw Chanel’s fashion as revolutionary and loved it. 1919 marked the most tragic event of her life when Boy was killed in an automobile accident. In 1921 Coco opened the first modern boutique at 31 rue Cambon and just 6 years later owned almost the entire rue Cambon. Continuing the rise that Chanel was taking, she made business contacts with Pierre Wertheimer, who introduced her Chanel No. 5 perfume in his department stores but who Chanel referred to as the “bandit who screwed me.” Chanel worked her way into association with the British aristocracy in 1923 and for the next decade continued close relationships with it. Chanel closed her shops at the advent of World War II and the occupation of Paris, and in 1947 became one of the richest women in the world with a new profits deal with the Parfums Chanel line. After having moved to Switzerland in 1945, Chanel returned to Paris in 1954. With her reemergence came her greatest popularity in Britain and America, which continues now all around the world. Coco Chanel died in 1971. Now, with this background stated, we can delve into Gortner’s biography: First, let us look at the great understanding of Chanel’s personality and spirit Gortner shows in this book. We understand that Chanel, growing up unstable and lonely, learned that money is true freedom. We also learn that Chanel neither hated men nor believed women to be superior; she was simply fiercely independent and determined to build her own life, not to be taken care of. The greatest thing Gortner succeeds in showing about Chanel’s personality is that she was constituted of great determination, which both helped her build the Chanel empire but also made many jealous, which was a great source of loneliness for Coco. Gortner really became Chanel herself, not the grand icon Chanel, not the stoic businesswoman. He wrote of the true, everyday, and genuine Coco Chanel, which is more important to her legacy than anything else. Next, we must address how Gortner describes the setting around Chanel’s life. Gortner is a master of developing both multi-layered characters and environments in his novels, but Mademoiselle Chanel brings this skill to another level. Whether it be the forests of rural France or the urban streets of Paris, Gortner brings to life the world Coco Chanel lived in, which adds an aspect into understanding the legend, her era, and her work. Finally Mademoiselle Chanel is a kind of biography that really hasn’t been seen before. In the same vein as Jack Kennedy, Chanel is unique in that no one can ever truly and completely understand every aspect of her life. Gortner, with great skill and intellect, recognises this and doesn’t attempt to achieve the impossible. Instead, he takes on what I consider to be a more daunting task: writing a biography that shows the genuine Coco Chanel and wanting us to base our opinions of the icon on that truth. Gortner achieves this magnificently, and makes Mademoiselle Chanel ingenious and revolutionary, just as Coco Chanel’s life was. As intoxicating as the jasmine aromas of Chanel No. 5 and as revolutionary as the Little Black Dress, C. W. Gortner’s Mademoiselle Chanel reclaims the legacy of the world’s first businesswoman and shows the genuine Coco Chanel. 55